Like the musicians of Bremen
(“Cómo los Músicos de Bremen”)
Humour, music, dance and theater with the topic of youth clique
The evitable cause of Veronica
(“El Evitable caso de Verónica”)
About the intrigues of power, which cause violence against the women
I said no, ok?
(“Dije no, ¿sí?”)
Humour, music, dance and theater with the topics of sexual education and health
Life of Carneval
(“Vida Carnaval)
Thoughts about responsable and irresponsable sexual relations towards AIDS
group of carneval of clean water
(“Comparsa de Agua Limpia”)
street theater with environmental topics
Pictures of clean water
(“Cuadros de Agua Limpia”)
scenes with environmental topics
El Güegüense
Interpretation of the version of 1977 from Alberto Icaza.
Thousand tales and farces
(“Mil Cuentos y Farsas”)
about the humours and the morality of famous tales
with music, dance and theater
The poster, the Atabal* and the little mare
(“El Cartel, el Atabal y la Yegüita”)
Performances of the local actors tradition – investigation, production and distribution
* The “Atabal” is a modern folklore group of Costa Rica, which combines latin american rhythms mit african percussion rhythms
El Güegüense
Complete traditional version from Catarina, recorded by Pérez Estrada,
declared to world cultural heritag by the UNESCO and is considered to be the first colonial theater play of the mestizoes of Central America
the journey in the afterlife
(“El viaje al más allá”)
Presentation of a ritual of the southern carribean coast of Nicaragua based on historical and anthropological studies
Bertold Brecht, 21. century
(“Bertolt Brecht, Siglo XXI”)
music-comedy
the puss in boots
(“El Gato con botas”)
Satire, comedy for children